The 17th and 18th- century female poets who were the focus of my master’s degree thesis in English inspired me to write several true-to-life historical novels with strong, intelligent, and engaging heroines. When I wrote Claire, After All, however, I needed and thought readers might welcome something more light-hearted. Life can be grim and the nightly news distressing. How about a break from all that drama? So as a longtime Georgette Heyer fan and as homage to her delightful romantic heroines, I created Claire Penwarren, a woman who loves her family, makes mistakes but fixes them, and eventually lives happily ever after. No soap boxes. No surprise endings. Just fun.
Georgette Heyer, often called the “Queen of Regency Romances,” was a skilled writer, who crafted nearly thirty Regencies, and her Frederica is not just my personal Heyer favorite but my personal Regency favorite of all time. Bar none. I’ve read it often. It’s literate, entertaining, funny, and satisfying. Romantic, too, but subtle, with only one very gratifying kiss at the end. Yet the slow simmer as Alverstoke shifts first from self-absorbed libertine to a man involved in Frederica’s life and family and finally to a man deeply and selflessly in love is brilliant. Unexpectedly sexy, too. Dialogue is always intelligent, lively, and authentic. Situations are true to the time. I especially love that Frederica is no great beauty and Alverstoke not very heroic, yet they still end up as the perfect match. And make Fredericathe perfect Regency romance.
New York Times bestselling author Georgette Heyer's beloved tale of an entertaining heroine stumbling on happiness when her marital machinations for her sister go awry.
Determined to secure a brilliant marriage for her beautiful sister, Frederica seeks out their distant cousin the Marquis of Alverstoke. Lovely, competent, and refreshingly straightforward, Frederica makes such a strong impression on him that to his own amazement, the Marquis agrees to help launch them all into society.
Normally Lord Alverstoke keeps his distance from his family, which includes two overbearing sisters and innumerable favor-seekers. But with his enterprising—and altogether entertaining—country cousins chasing wishes and…
Of Jane Austen’s six completed novels, only Emmamade me interrupt my reading numerous times to thump my head with the heel of my hand and groan “Oh, Emma, no!” Emma Woodhouse is a contradiction: a spoiled, well-intentioned, bright, unobservant, sometimes ridiculous, shockingly thoughtless, and yet often attractive young woman. I can’t say I loved her, but she was terrifically entertaining. For its sharp-eyed, diverting take on people and society and for the vivid and wonderful creation of Emma Woodhouse, a young woman so wrong and still so endearingly right, Emma is my favorite of Austen’s novels. I’ve read it more than once and laughed (and head-thumped) each time through.
'Her masterpiece, mixing the sparkle of her early books with a deep sensibility' Robert McCrum, Observer
Although described by Jane Austen as a character 'whom no one but myself will much like', the irrepressible Emma Woodhouse is one of her most beloved heroines. Clever, rich and beautiful, she sees no need for marriage, but loves interfering in the romantic lives of others, until her matchmaking plans unravel, with consequences that she never expected. Jane Austen's novel of youthful exuberance and gradual self-knowledge is a brilliant, sparkling comic masterpiece.
What do you get when you combine the great 20th-century mystery writer P. D. James and the great 18th-century social commentator Jane Austen? You get Death Comes to Pemberley, that’s what. Austen’s beloved Darcy and Elizabeth from Pride and Prejudiceare happily married living at Pemberley with their children until along comes that dastardly George Wickham (also from P & P) who has the nerve to get murdered, leaving it up to Lizzy to figure out the culprit! A Regency whodunit is the best of both worlds.
A rare meeting of literary genius: P. D. James, long among the most admired mystery writers of our time, draws the characters of Jane Austen’s beloved novel Pride and Prejudice into a tale of murder and emotional mayhem.
It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic…
I don’t enjoy many Regencies written by contemporary authors—too much 21st century finds its way into the story, for my taste—but I loved everything about this one! Because of a family scandal, Rosalind Thorne lost her standing in society, but she understands the complexities of social propriety and supports herself by advising and assisting influential families. There’s a neat murder (at the famous Almack’s, no less!) which Rosalind helps solve, but while I liked the puzzle, I loved the book because of Rosalind herself. She struggles believingly with having to work to survive in a world where “proper” women were considered only ornamental. As the story progresses, Rosalind finds her independence increasingly attractive, and when two prospective suitors appear, she must decide where her personal satisfaction truly lies. A Useful Woman is entertaining, thoughtful, well-plotted, and carefully researched, as is the whole series. Book five will be out December 27, 2022, and I’ve got the date marked on the calendar.
Inspired by the novels of Jane Austen, this new mystery series set in 19th-century London introduces the charming and resourceful Rosalind Thorne, a woman privy to the secrets of high society—including who among the ton is capable of murder...
The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society’s most influential women, who have come to rely on her wit and discretion.
So, when artistocratic wastrel Jasper Aimesworth is found dead in…
A Brazen Curiositymade me laugh out loud. Often. Seriously, it’s that funny. The heroine, Beatrice Hyde-Clare, simultaneously discovers bodies, insults the aristocracy, and solves crimes, all with the help of a duke who’s fallen in love with her (inexplicably, in Beatrice’s frank opinion.) Her family’s pretty awful and her self-esteem’s a little low, but Beatrice is a unique and delightful Regency miss with a sense of humor and a realistic perception of the world around her. A Brazen Curiosity has more satisfying romance thrown in than the other books on my list, but romance is seldom on Beatrice’s sharp and sensible mind, and that’s what made it—and her—a favorite of mine.
Nothing ruins a lovely house party like bloody murder.
At the decrepit old age of six-and-twenty, Miss Beatrice Hyde-Clare has virtually no hope of landing a husband. An orphan living off her relatives' charity, her job is to sit with her needlework and to keep her thoughts to herself.
When Bea receives an invitation to an elegant country party, she intends to do just that. Not even the presence of the aggravatingly handsome Duke of Kesgrave could lead this young lady to scandal. True, she might wish to pour her bowl of turtle soup on his aristocratic head - however,…
Claire Penwarren, eldest of the four Penwarren half-siblings, arrives with them in England to ready the family dwelling before her father joins them from India in his new position as Earl. Claire is competent and quick, organized and in-charge. She knows what's best for all the members of her family. Except when she doesn't. Her neighbor, the experienced and savvy Marquis of Symonton, becomes her social ally. But Symington has his own agenda when it comes to the Penwarrens. It's true that Claire possesses both maturity and experience, but she has yet to discover that neither is as valuable as love.
The Penwarrens, a light-hearted visit to Victorian England, in the tradition of Georgette Heyer.
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for her biological mother, she meets the adult Willem, and they fall in love. Pregnant and engaged, she moves into the family mansion, wanting nothing more than to create a loving family for her child. But the Veldkamps are cold and distant. And why is Louisa a taboo subject?
An expectant mother gets more than she bargained for when she marries into a seemingly perfect family in this gripping debut novel–a must read for fans of A. J. Finn and B. A. Paris.
After surviving a nightmarish childhood, Anneliese Bakker is on the mend and searching for her birth mother. But when she meets Willem, she falls madly in love and finally finds a safe place to land. Engaged and expecting her first child, she moves into the Veldkamp mansion on a stately, tree-lined avenue in Amsterdam. And yet, nothing about Willem’s family is as it seems. Instead of…
